Earlier this month, Magnanimous Media hosted an event that encouraged filmmakers around Chicago to come out to try the Panasonic VariCam 35. The event consisted of a number of dancers, edited into a solid poetic piece. Check it out here:

Panasonic offers two VariCams, one is a 4K camera (VariCam 35) that incorporates a super 35mm MOS image sensor; the second is a 2/3″ camera (VariCam HS) that features high-speed 1080p image capture of up to 240fps. Some of the VariCam 35’s key features are: S35MM 4096 X 2160 Advanced MOS Imager, Native ISOs of 800 and 5000, 14+ Stops of Latitude, Dual Recorder, Records simultaneous 4K/ 2K/Proxy, or UHD/HD/Proxy + Raw to Codex (option), Apple ProRes 4:4:4:4 and ProRes HQ Built-in. AVC-Intra Codecs — Class 100 / Class 200 / Class 4:4:4 and the 2-piece Modular Design (docks to AU-VREC1G recording module).

Panasonic spent a lot of time talking to and working with DPs to create a camera that shooters can use in any situation. Coming out of our event, the cinematographers were impressed! They tested a number of items, including dynamic range, low-light capabilities, and skin tone details.

To test the dynamic range, we wanted to create a situation with many contrasting colors, starting out with natural light, high highlights, and lower shadows.

While testing the VariCam’s low light capabilities, we used 200 watt Joker Lights that were graciously loaned to us by k5600. We noticed that, in low light situations, the VariCam stays relatively clean–even with the ISO cranked all the way to 12800!

One of the greatest things that the attending cinematographer noticed was the VariCam removable control panel, making it easier for ACs to have access to from the “dumb side” while not affecting the operator. Another great feature of the camera is the removable recording device, making it easier to rig up with a Movi, gimbal, or technocrane.

For more awesome information about the VariCam 35, check out our VariCam BTS Video below.

What do you think? Let us know below in the comments!